The Miniature Wife

I was brought onto The Miniature Wife fairly late in the season. Shots I picked up were already in-progress, and my task was to take the collection of notes and bring a sequence of shots to a sensible cohesion, and bring them to final. The shots in question were a tricky conglomerate of low-exposure and subtle color correction. I spent much of my time with my Nuke viewer cranked in exposure and saturation to ensure I could see the very minute adjustments I was making from shot-to-shot and version-to-version.

Here’s a writeup about Zoic’s work on the show:

Post Magazine